Cookie Notice Written by Julia Wolf. Tilda Swinton, in a bracing, tour-de-force performance,. Growing up with a cold mother does not turn one into mass murdered either. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. When Eva dips her whole face in a basin of water, her face turns into Kevin's. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. About | It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. Nature refers to how they were born, while nurture refers to how they were raised. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. His eyes dont give away any sense of remorse or guilt. The flaws of this largely overwrought story belong not so much to Ramsay as filmmaker as to Shriver's source novel. The second is Kevin's bedroom. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. Hosted by Michael Barbaro and Sabrina . The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. Fr. She mentions that she believes he'll be released in five years. ComicBookMovie.com is a registered trademark and has been officially registered with the United States Patent and Trademark Office (USPTO). I mean, there's no room for the leader of the rebellion to give up. Kevin is a defiant baby who screams incessantly but never around Franklin. Indeed, one of. Shortly after, Eva goes back to the house. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. 2003-2023 Best Little Sites, LLC. and our The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. Powered by WordPress.com VIP. Community Guidelines | Keep your comments focused on the film. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Theres a possibility that maybe before all this happened that there was that naivete to Jentorra, but yeah, I don't know that she was re-inspired by Cassies energy, I guess, as much as like, Hey, this is the real world and you need to kind of catch up to where we are.. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. By using our Services, you agree to our use of cookies. The sound of him savouring the juicy fruit a fruit he doesn't even like in deliberate crunches of sinister delight becomes unsettling when paired with the thought of Celia's lost eye. Now, mommy wakes up every morning and wishes she was in France! When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. It's why vandals paint Evas house in red, and neighbours take out their anger on her. Jake Martin, visit our special Oscars season blog, Movie Minister.. So is Amelia in The Babadook. While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. True paternal love would have been expressed as abiding concern for the man his son could grow up to be if there really was a danger of mental illness, and result in the appropriate physical and mental health care to avoid a catastrophe. It is so ingrained in our culture even a fellow grieving mother slaps her in the parking lot. Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. The story goes back to the past to recreate the events that led Eva to her present discontent. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. Eva finally asks why he did it. ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. The novel explores themes of nihilism, motherhood, the relationship between violence and depravity, and much more. We Need to Talk About Kevin: Directed by Lynne Ramsay. A lawsuit could force the F.D.A. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community won't rally around you and more often than not Mr. Potter carries the day. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. The film does not show us how Kevin presents the eyeball to Eva in jail. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Because children are normally associated with innocence, creepy children are a tried concept in horror films. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. Rated the #74 best film of 2011, and #5264 in the greatest all-time movies (according to RYM users). On one prison visit, he describes her throwing him at a wall and breaking his arm as "the most honest thing you ever did.". Cookies help us deliver our Services. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. Kevin has a real emotional attachment to his bow because the only time his mother showed him genuine affection was when he had the flu, and she read Robin Hood to him. Rated R So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. Moving back and forth in time, the narrative revolves around a picture-perfect American family, but as the story progresses, we see cracks in the familial structure. He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. Eva's elation is reflected in the room's warm yellows and flowers on the bedside table. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. A flashback, from long before Kevin was born, shows Eva at La Tomatina, celebrating with the crowd. She asks Kevin why he didn't kill her. A suspenseful and gripping psychological thriller, WE NEED TO TALK ABOUT KEVIN explores the relationship between a mother and her evil son. In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. Ramsay simulates these associative memories, jumping back and forth between the past and the present. The ending of the film leaves Eva's fate up in the air. Jake Martin, SJ, is a Jesuit priest, comedian and writer. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. In front of his mother, Kevin is often a difficult, menacing and unresponsive boy. Kevin is a defiant baby who screams incessantly but never around Franklin. Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Or maybe I'm somehow getting it mixed up with another film! This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. Not that she has a ton of options she struggles to find work and be accepted by those around her. Does Eva's open contempt for Kevin drive him to darkness? Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. Jokes are fine, but don't post tactless/inappropriate ones. Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. What makes this all worthwhile is the fact that Tilda Swinton is simply an astonishing actress who can bring off anything. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. Of course, that mental illness is presumed by viewers. Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. For full Oscars coverage and commentary by its reviewer, Fr. She's like a fish out of water. So, his dressing sense is perhaps not an indictment of his bitterness. Sometimes Zuzus petals are all you have to hold onto. This is not entirely his fault. Ambivalent toward motherhood, Eva struggles to care about her increasingly cruel son, Kevin (Ezra Miller). She makes one feel her strung to the breaking point tension in scene after scene. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. Swinton told me of a line in the script that wasn't used, wisely, I believe. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. For removal of copyrighted images, trademarks, or other issues, Contact Us. In You Were Never Really Here, Joaquin Phoenix was a hitman beset by PTSD. Rated R Meanwhile, Kevin is planning something that would shatter Evas world forever. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. She is the wrong person in the wrong life with the wrong child. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. Finally. There is some resentment over Kevin's arrival deterring her professional ambitions. And so is Eva. A bright light appears outside. Left to pick up the pieces is his mother, Eva (Tilda Swinton). Eva and Franklin are a happily married couple till Eva gives birth to Kevin. Being a child somehow means they're inherently innocent. But it's also pretty surface level. What if she knew while being pregnant that she is about to give birth to a monster? Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. The colour red is a recurring motif in the film. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Eva was never allergic to being a mother of course. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. In the next sequence, he appears in a loose white shirt. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. ROHAN: Was there anything major cut that you remember shooting? The kid was screaming nonstop from the go, as infant. Votes are used to help determine the most interesting content on RYM. For full Oscars coverage and commentary by its reviewer, Fr. and Stephen Broussard, p.g.a., Ant-Man and The Wasp: Quantumania also stars Jonathan Majors as Kang, David Dastmalchian as Veb, Katy O'Brian as Jentorra, William Jackson Harper as Quaz and Bill Murray as Lord Krylar. Catherine George managed the costume department impeccably well, with a slight touch of retro. We also did a lot of blue screen work before, which really helps with the imagination. So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. As a baby and toddler, he is merely colicky, irritating and would try the patience of a saint. Don't comment just to troll/provoke. He was exactly right. Maybe he is subtly telling others that his mother does not take care of him. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." it's difficult to accept why Eva keeps visiting her son in jail, at one point even asking why he did it. An early scene shows Eva apparently participating in an orgy in a lake of blood. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. So, seeing Kathryn, to me, her character Cassie was just someone who didn't understand the reality of the situation. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. Three days before turning 16, Kevin unleashes chaos in his school. Advertise, Funny Superhero (DC & Marvel) Shirts & Stickers. In a sonic sleight-of-hand, the joyful cheers alchemise into the sorrowful cries of the families and friends of Kevin's victims. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. Any spoilers should be placed in spoiler tags as such. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. Kevin replies that he thought he knew why but now hes not sure anymore. We see Kevin as a troubled kid who may need greater care. The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. But her expression is one of strained indifference. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Index | As she leaves, a troupe of tiny ballerinas in tutus run past her. You tell me." ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. About 5 uses of "fuck" (once used sexually by a 7-year-old child), one use of "cunt". Instead, maternal ambivalence is coded as horror. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. SPOILER. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" This is the fear of parenthood. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". Then she goes home. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. Matters worsen when she becomes pregnant with a daughter. Or did Kevin turned this way because she messed him up from the very birth. Fun Fact: Ezra Miller is not a great person, Did not expect Steve Brule to be Kevin's father, can't help thinking how twisted but how well so much of this film would work with a laugh track [2]. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. Copyright 2023. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. Privacy | It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Going on, she again asks the question of responsibility and says, "I don't know. By provoking her, Kevin is able to get some precious emotional honesty out of her. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Firstpost - All Rights Reserved. Terms Of Service | Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. As Robin Hood, little Kevin appears in a similar-looking shirt. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. What kind of a kitchen has empty counters? Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. If you are having trouble tying loose ends, let us assist you in the process. All Rights Reserved. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. But we can safely assume that Kevin did not literally eat the eyeball. We see it perfectly after he blinds Celia - Eva attempts to confront him about what he's done, and he sits chewing a water chestnut to impress the image of plucking out an eye on Eva, just to watch the horror on her face. Jackson Harper, and so manyfunny people Kevin: Directed by Lynne Ramsay 's elation is in. The scene of some tragedy, Fr in Poltergeist Evas world forever he says and does he. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities her Franklin! 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